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September 26, 2007

failure

Last week, I completely failed a teen and a parent. Completely. And sadly, I had no idea until today. Like most of my colossal failures, this one was caused by the fact that I have never learned to control my speech. I struggle every day with not saying what I shouldn't and saying what I ought. I don't think it's prideful to say that I believe I have improved very much over the years in the "not saying what I shouldn't area," but the "saying what I ought" area is still a difficult place for me. Not that I don't ever fail by saying something I have no business saying, but last week's failure was not of this nature. Last week's failure came because I did not speak words I ought to have spoken.

Last week, I had a conversation with a teenager about a frustrating situation through which said teen is struggling. The teenager was venting about the situation, which does have several difficult points. I completely understand why the situation is frustrating, and I think the teen has a certain amount of justification for being frustrated. Unfortunately, the frustration is feeding the attitude of discontent and rebellion festering in his heart. Here's what I should have said: "You know, you're right. That's a tough deal. My brother went through that same thing, and it was tough for him. But, you know, he really learned a lot, and he made some friends, too. It might help to find a couple of positive things to focus on when you get really frustrated." Did I say anything remotely like that? Absolutely not. No, I just agreed with the frustration, mentioned that my brother had been frustrated in that situation, and basically enabled discontent and rebellion. I handed this teenager ammunition to feed the mire of anti-parental rebellion into which he's wading. And then I completely forgot about the conversation. Until today. Today, the mother of this teenager brought the conversation back to my mind, and asked me if I could be more careful with what I say around her child so as to avoid adding fuel to the pyre. I felt like someone sucker-punched me in the gut. In allowing myself to shirk my responsibility as a Teacher and as a Reflector of Christ, I added to the strain in a teenager's relationship to parents. I felt even worse because these aren't unreasonable parents who saddle their kids with unrealistic expectations and burdensome rules. These are parents who seem to grant their kids a balanced amount of freedom and a reasonable amount of respect. But they are parents who also seem to struggle in the face of the strong and assertive wills/personalities of their children. And I undermined them in their struggle. And it feels horrendous. I absolutely failed by allowing myself to be dragged into the negativity and darkness when I should have brought a ray of light into the situation.

In the years since high school, I have struggled against being destructive with my words. I used to be incredibly vicious with my speech. I was well aware that I could completely destroy another person with a sentence or two, and I used it whenever I felt like it. I had little to no remorse about the damage that I was purposefully inflicting on other people. Thankfully, God began to make me aware, to show me how beyond un-Christlike that behavior is. I still lash out destructively from time-to-time, but I do struggle against it; and, this struggle is, for me, a very small victory. Unfortunately, I have often neglected the other side of this struggle: the need to say the right things rather than just avoid the wrong ones. Intentional verbal viciousness has always seemed like the darker part of my struggle with speech. Today, I had a very vivid reminder that sometimes not saying something is far worse than saying the dark things. How much do I wish that my failures only affected me. I have chosen, however, to place myself in situations where my failures have the possibility of affecting others, and I need to be reminded of that. And that vigilance in the battle with my speech is constantly necessary. I just wish the reminders weren't so devastating.

September 17, 2007

k*ville

I just finished watching the premiere episode of K*Ville. I like it.

For those of you that watch t.v., but haven't seen the ads for this show, it follows several police officers in New Orleans 2 years after Katrina--now. Anthony Anderson is the lead character, and he does a fabulous job. Being that my parents were born and raised in New Orleans, that my grandmother still lives there, and that I have spent a considerable portion of my life there, I am typically cautious when I see a movie or a television show that will be set there. Generally, the problem is that no one bothers to find out what New Orleanians are actually like. Thus, they end up with ridiculous Cajun or Southern Belle accents that have absolutely no relation to what the actual residents sound like. Also, due to its appeal as a tourist destination, films and shows set there too often end up campy tourist romps through the city in a bizarre attempt to appeal to the kitshy in us all. Needless to say, I was a little nervous despite the promising ad campaign.

I am very pleased with what this show actually is. Anderson's character lives in the Upper 9th Ward (my dad's cousin lives in that area) which is struggling back, albeit with an awkward limp. The show doesn't try to avoid the problems besetting the limping city, but equally portrays the small triumphs that are bringing hope back to this venerable city. The show is filmed in N.O., which was really nice. It's good to see the actual city rather than some cobbled together shots and then interior filming. It also really shows the viewers what the city is like, where it is right now. The characters are sympathetic and real, flawed yet noble. The dialogue and dialects are incredibly accurate to the city. If you want to know what New Orleanians are like, this show will help you along. There were a few moments of camp; but then, what show doesn't fall into camp at times. The filmography is very interesting--the typical cop show gives us more footage than we need: the cop chase always includes the officers getting into the car and speeding off; K*Ville skips that part. It works very well--the shot cuts from the officers running in the chase straight to the car chase. This serves to heighten the action while not detracting from the story in the least. It was a very interesting watch.

All in all, I am so far very pleased with this show. I think all of my readers should give it a watch--it's a well-crafted show that offers an informative glimpse into this great city who needs our support to walk again. A final, added bonus: on the breaks from filming, the cast and crew volunteer with Habitat for Humanity helping to rebuild the city. That right there is worth helping this show succeed.

September 11, 2007

a moment of silence.

Because now I've been there to see the empty place.
Because national tragedy should never be allowed to slip away into the fog of history.

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Patriot Day, 2007.

September 08, 2007

a poem to bide the time

So I'm working on a "paper" (for lack of a better post-education word) based on the thesis that the Cowboy is the American Epic Hero. It's something that has been ruminating since the first time I taught World Literature and examined the idea of the Epic Hero in great detail. Since then, I've jotted down ideas, noted epic characteristics in movies and stories, and little else. It hadn't really formed itself into an actual work of any kind until a few months ago when I watched Open Range again. Great western, by the way. Today, I pulled it out again to continue working on it. I'm liking it. It's solidifying, though I am lacking specific examples. I may have to do some "research." (aka watch some cowboy movies) At any rate, it isn't ready for posting, but I hope it will be soon. In the meantime, here's a poem to bide your time:

Corridor
Footsteps echo in the darkness.
I pause, struggling to determine
the nature of the emptiness before me.
I cannot.
The echoes fade to quickly;
change to rapidly.
Hesitantly, I chance a few more steps.
More echoes.
No more enlightenment than before.
Apprehension appears
to check my progress:
what if there is a wall just there?
what if unseen stairs await?
what if...what if...?
I stop, frozen for a moment,
trying to decide what next.
To step forward in the darkness
is filled with risk.
To stand still is to stagnate.
One option is safer, simpler.
The other is life itself.
Cautiously, footsteps echo again.